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      <image:title>postWinterreise Portfolio</image:title>
      <image:caption>The central flow of the installation is a suspended block of ice, melting over a metal panel. Both elements are wired with dynamically controllable mics and transducers. (Shanghai Concert Hall)</image:caption>
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      <image:title>postWinterreise Portfolio</image:title>
      <image:caption>Pianist and artistic researcher, Marlene Heiss, with the central flow and aquarium. The aquarium is sounded by a transducer and re-amped by a hydrophone. (Shanghai Concert Hall)</image:caption>
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      <image:caption>Nova Krause and the Cyclical Sound Environment at the Shanghai Concert Hall.</image:caption>
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      <image:caption>Behind us is Daniele Lucchini's (on left) projections, featuring his footage of the Hallstätter Glacier on Austria's Dachstein.</image:caption>
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      <image:caption>The "tree" is a dry branch attached to a transducer. The sound (of voice, piano, or sonified data) sent to the transducer vibrates the branch, and becomes audible when it touches any of the installation's surfaces.</image:caption>
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      <image:title>postWinterreise Portfolio</image:title>
      <image:caption>The stage as arranged for the premiere of postWinterreise at Tanglewood. (Photo Credit, Hilary Scott)</image:caption>
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      <image:caption>The J Curve of atmospheric carbon levels is a re-occuring motif in the piece (visually and sonically). Here, it is drawn (the chalk on wood is audible) while the piano plays a fragment of Schubert's Rückblick that follows a similar "shape." (Photo Credit</image:caption>
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      <image:caption>Elenora Pertz, pianist at the installation central flow</image:caption>
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      <image:title>postWinterreise Portfolio</image:title>
      <image:caption>Oil barrels and trashcans have featured in the installation. Here the trash can, it is being touched b a metal rod that follows the same principle as "the tree"</image:caption>
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      <image:title>postWinterreise Portfolio</image:title>
      <image:caption>At this point in song No. 7, a climactic musical phrase is disrupted by the sonification of the climate J curve bring played through the metal rod and amplified on the drop panel. Jared Redmond controls the routing of the sound within the installation on the right side of the photo.</image:caption>
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